To Ephesus and Back

Two children play with their Ken dolls just before bedtime. They pretend that the dolls are sets of estranged twins (a very logical sort of play, considering the likeness of all Kens). The kids hear their mother and quickly throw the dolls into their toy box and the stage darkens. When it lights up again, actors emerge from the toy box and we are transported to Ephesus and to the delightful, fresh fun that Comedy of Errors remains.


Yesterday's closing performance of the play at Sol Theatre was charming in its anachronisms (like the Godfather theme for Balthazar), easily recognizable (Antipholus and Dromio are dressed like Ken dolls), and just the best time to be had of an afternoon. The dialogue retains its freshness when placed in the 21st century, and fits in marvelously with contemporary cadences, slang, and Barbie-world costumes. In fact, these underline the farcical nature of the play and I do not remember the last time I had laughed so hard. No, wait, I do remember; it was at another production of Sol, so it was the same place that I had laughed like this.


The director of the theatre is a friend so close that had it not been for her, I'd have curled up in a cave long ago and disappeared from the world; knowing me well, she mandated that I not miss this one. I have not, of late, been as regular an audience as I once was, since my child, whose home the theatre is, has already flown the coop, and going to her theatre without her seems unreal. But I am always welcomed and I know to listen to my good friend when she says I should not miss this. So I knew that I'd have a good time when I left home yesterday. But I was not prepared for the helpless, breath stealing laughter, the kind that hurts your ribs afterwards, the kind that you never ever want to live without.


This production is dedicated to the director who, tragically, never got to see this product in its finished stage. I cannot think of a more fitting celebration of life. The actors sang her favorite song, played their parts with such passion that I will forever think of them as those characters, and celebrated the one they missed, thanking her at the end of the play, amidst a well-deserved standing ovation.


I came away refreshed and renewed, with a smile that refuses to leave me, even now. The production was sparkling with brilliance, and that is an understatement. I have always enjoyed my Shakespeare when played in a park or in a black box theatre, so it WAS the perfect Shakespeare for me. There are, of course, extra perks attendant to every Shakespeare and yesterday provided those as well: I met a fellow Bard-o-phile, and re-met an extremely talented actor whose work I have always, always admired, after a decade.


There are certain outings I always look forward to, even though I am going alone, and yesterday was one of them. Yesterday's outing has enriched me immeasurably. My world feels connected, somehow, as though the words written five centuries ago have reached out to heal me, to set cogs in motion in my internal machine so that now, everything fits.


What can I say? I like this place and willingly could waste my time in it!

The God of Monsoons and Peacocks!

The afternoon is dim with clouds. I cannot hear the TV because of the rolling thunder. The cats just burst into the kitchen, glaring accusingly at me, holding me accountable for the wet, rumbling day. It is a perfect Janmashtmi! Today celebrates the birth of Krishna, the god whose skin is the inimitable hue of rain clouds.


There are many celebrations scheduled all over the world, in temples, in homes, on streets. Agile youngsters will crawl over each other to make human pyramids high enough to reach a pot filled with yogurt and curds, tempered with honey and basil, hung high above traffic lights, swinging at unimaginable altitudes. The crowd will cheer as the smallest child reaches the pot and breaks it open, spilling sweetened yogurt over everyone, scattering marigold petals around the world. Loudspeakers perched high on street corners will blare filmi music, for there is plenty of that which revolves around the child god. Babies will be dressed in Krishna costumes and fed treats, much to their alarm and delight. Complete strangers will color each other in gulal, erasing separations in a singular joy that celebrates life, recognizable as it is ubiquitous.


I remember this day every year, though I have stopped celebrating it ritualistically since my child is all grown up and not in town any more. But this was a day I used to look forward to as a child. The preparations would begin days, even weeks before. Our Guruji, the Kathak teacher, would assemble todas and thaats constructed around the exploits of the young Krishna, as he stole freshly churned butter from pots, saris and clothes from bathing gopis, and hearts from the entire population of Brij land. We would learn permutations of rhythms, and as we owned those new combinations, we felt the joy of anticipating the festival. The children of the street would put together a show of dances to be performed on the day. Families would create elaborate, colorful jhupadi or hut exhibitions, depicting scenes from Krishna's childhood, and these would be displayed for a week.


Our street was also the playground for the children of the families that lived along its banks. On nights leading up to Janmashtmi, children would gather after supper and play would continue deep into the night, long after the living rooms were converted into bed rooms, lights blinked off in apartments, and women emerged on front porches with grain to pick through and vegetables to chop for the next day's meals. Stories would be told about Krishna's life, tales of enormous trees who were really monsters; mouths that opened to show a view of the entire cosmos; poisonous, many-hooded serpents who could be conquered with a dance and a bargain; and, of course, the eternal raas lila, the roundel that accompanies Krishna stories everywhere. Mothers deliberately left out freshly butter, along with other treats, so that their children could "steal" these when they returned from school, and when the household smiled indulgently at the child, they were really worshipping a god.


I remember looking forward to outings, especially, since clothing, ornaments, and peacock feathers created specially to fit the divine infant would be sold on city streets, along with Janmashtmi treats, and each street corner boasted its own jhupadi. During recess at school, talk revolved around the most decorated jhupadis and where they might be found, and the peculiar delicacy each family cooked during this festival. Even the curriculum at schools did not remain untouched. We had quizzes based on the Krishna Lila sections of the Mahabharata in General Knowledge classes; Krishna-poems abounded in Hindi classes; a bhajan, a devotional song by Narsinh Mehta would be included in our usually secular prayer halls that began the school day. Our school, too, had its own cultural program to celebrate this festival, and a special students' council would be established to oversee the jhupadi our school sponsored.


As I consider the wet afternoon thundering with elephantine roars, I ponder on the fact that every year, on this day, it rains like this, at least once. Of course, it is quite possible that this is no coincidence or divine design, just the usual weather pattern the year follows. However, as I raise my cup of tea to the God of Joy; I am grateful for the memories his birthday has granted me. These memories remind me of a world gone by, of times that have revolved away with the earth's circumambulations, leaving behind an aftertaste of sweetened yogurt I am no longer allowed.


I watch a yellowed leaf drift lazily through the drizzle and imagine it a marigold petal. I believe the joy I take in my tea this afternoon is as true as any I have felt during midnight street games, the newly owned thaats, and the inimitable taste of white, soft, freshly churned butter. If I concentrate hard enough, I am sure to inhale the fragrance of sandalwood my grandmother used to smear on the idol of the infant god of monsoons and peacocks.